by Alex Vorkov
THE MUTILATOR (1984) is a fucking terrible film. That said, so is almost everything else in my DVD collection. As far as bad ‘80s slasher movies go, this one is pretty good.
Originally dubbed FALL BREAK, The Mutilator concerns a bunch of bored college kids who go to a beach house to get murdered. The first 35 minutes of the movie should be called Fall Break, because it wants to be a dumb teen comedy called Fall Break. In actuality, it’s an excruciatingly unfunny first act. A dumb teen movie, sans comedy.
Fortunately, director Buddy Cooper seems to have whacked his head at this point in the production and thought he was making a horror film. Either that or he realized just how much we all want these irritating fuckers to die, so he brought in FX wizard Mark Shostrom to kill them in satisfyingly gruesome ways.
The kills make your painful first-35-minute investment worthwhile. I won’t spoil them if you haven’t seen the film, but I will say there is one murder that is sure to make you squirm. I’d put The Mutilator next to THE PROWLER on the splatter scale. Certainly not in the Lucio Fulci class, but pretty gory for a throwaway slasher movie.
Plus: Great splatter; weapon variety; a good beach location
Minus: No likable characters; a gratuitous hairy chest; and the absolute worst theme song you ever heard in your life. Seriously, it’s like they took an adult-education songwriting class one night at the local high school and crammed every bad rock-pop cliché into one song. Remember how Kenny Loggins used to do all those catchy movie songs like Footloose and the one for CADDYSHACK? This song is to Kenny Loggins what I am to Wayne Gretzky. I mean, I can sort of skate in a straight line.
I am so in love with Arrow Video I want to strangle it and violate its corpse (we all have our own ways of showing affection). There’s are a lot of disappointing Blu-rays out there, but Arrow has a way of taking old, murky, grainy movies you thought were shot on garbage film stock by people with no talent and making them look like brand-new productions.
If you haven’t picked up an Arrow disk yet, their work is a revelation. The Mutilator suffered from a particularly bad pan-and-scan VHS dub back in the day, with many of its night shots lost amid a grainy, indecipherable haze. This Blu-ray is crisp and bright, and the contrast is excellent. The blood in the kill scenes flows a wonderfully vivid crimson.
You know what? In the context of micro-budget slasher films with bad acting and witless scripts, Buddy Cooper turns out to be a pretty good director. Now that we can actually see what he shot in the proper aspect ratio and on a 2k transfer, there are many well-composed sequences, the shot coverage all edits together nicely, and the cinematography is stronger and more creative than previously evident.
I’m not going to get into the audiophile stuff. I’m half deaf from playing drums for years and wouldn’t know the difference anymore. Suffice to say, the dialog, sound effects, and music are well mixed and up-front.
There are shit-tons of extras, including 2 commentaries and a lengthy making-of documentary as well as a booklet and reversible artwork.
The Mutilator is recommended for lovers of ’80s horror and slasher films and for people who like to torture themselves with godawful theme songs.