3-minute Blu-ray review: The Dead Next Door (1989)

Released on Blu-ray & DVD by Tempe Digital, September 26, 2017

Specs: All Region, 1080p HD, DTS 5.1

Running Time: 78 minutes

Genre: Classic American Zombie (Dawn of the Dead, Children Shouldn’t Play with Dead Things)

The Concept: A small band of soldiers travels from Virginia to Ohio in search of an antidote to a zombie plague, but they must first face off against an armed and hostile religious cult determined to stop them.

The Movie: DIY horror films are fairly commonplace today, thanks to the relative availability of HD cameras and editing software, the ease of sharing/streaming content online, and the rise of the found-footage genre, which eliminates the need for polished cinematography and time-consuming shot coverage.

Prior to those developments, however, making a film on your own was tough going. You needed expensive film stock, lighting rigs, and professional post-production equipment. You had to strike costly prints. Then you had to find a theater willing to show your film or a home video distributor able to mass produce it.

Enter J.R. Bookwalter, ambitious youth. In the mid-1980s, armed with a Super 8 camera, then 19-year-old Bookwalter spent four years shooting a surprisingly epic zombie-splatter adventure that was eventually released on VHS as The Dead Next Door. The film plays like an expanded universe entry in George A.Romero’s living dead franchise (imagine a Star Wars-type standalone that takes place between Dawn and Day of the Dead).

The Dead Next Door looks like what it is: a remarkable achievement in home moviemaking, replete with amateurish acting and inconsistent cinematography. The Evil Dead, the greatest DIY success of that decade, is far more polished and spectacular in comparison. Alas, while Bookwalter has carved out a niche career in the horror genre, his talents didn’t translate to the big leagues the way Sam Raimi’s did.*

[On the other hand, I’ll bet Bookwalter’s Robot Ninja is more fun to watch than Oz, The Great and Powerful.]

Video: The transfer is as good as the source allows. That is, the outdoor, wide-angle daytime shots look generally clean and bright. The close-ups are rather grainy, owing to the film being shot on Super 8, a poor format for subjects closer than three feet from the lens.

On the plus side, the color temperature is accurate and naturalistic. Conversely, there’s a fair amount of flutter present in some shots. It’s not easy to pull focus on an 8mm camera, either, and it shows at times. Ultimately, there’s only so much you can do about picture quality when reproducing 8mm film in HD.

Audio: It’s difficult to evaluate sound quality when the audio track is patchwork (some ambient, some looped). The volume is uneven, but I suspect adding compression to flatten it out would introduce a considerable amount of hiss.

Extras: Audio commentary, featurettes, outtakes (oddly, the DVD offers three commentaries, the Blu-ray only one)

Verdict: The film is intermittently effective but, overall, doesn’t hold up that well. While the gore FX are well done, it’s too ambitious for its limitations. I quite enjoyed the Romero-esque “American heartland” setting and sensibility, though, and the filmmaker’s swing-for-the-fences approach is admirable.

*Raimi ended up serving as executive producer on The Dead Next Door, perhaps seeing something of himself in Bookwalter.


My Top 10 Horror Films of 1985


Just as modern man now gazes upon the ancient pyramids of Egypt in awe and wonder, so too shall future humans look upon the horror genre in 1985 and say, “Dang.”

It’s as if Michelangelo had sculpted the David, Van Gogh had painted Starry Night, Leonardo the Mona Lisa, Dali the Persistence of Memory, and Vermeer the Girl with a Pearl Earring all at the same time.

It’s as if … all right, enough with the friggin’ hyperbole. On to the list!


My Top 10 Horror Films of 1985

  1. Return of the Living Dead


When you crack open oyster after oyster and, at long last, you find the pearl.

Return of the Living Dead, from the opening second to the last, is about as entertaining a horror flick as you’ll ever see. It’s gory, funny, scary, creative, and filled with likable characters, amusing dialog, and killer tunes. This group of kids—punk-rockers, headbangers, nerds, preppies, and jocks—is so like the crew I hung with in my youth, it’s as if I were there in that graveyard with them. Directed with TLC by the underappreciated Dan O’Bannon, screenwriter of Alien and Total Recall.


  1. Demons


In compiling this list, I fought the temptation to have a multi-way tie for number one, because that would be a cop out. The truth is, though, I love Demons as much as I love Return of the Living Dead, and both would be on my all-time top horror movie list.

Demons is as stylishly European as Return is all-American. It’s got the flair, the artifice, the weird dubbing, the surreal lighting … all the qualities we Eurocult fanatics love about that scene going back Black Sabbath in 1963 (which was directed by Mario Bava, father of this film’s director, Lamberto Bava). If you’re not into horror, you won’t get the appeal. Then again, you probably wouldn’t be reading this blog, either.


  1. Day of the Dead


It has been written that George A. Romero planned a more epic conclusion to his “Dead Trilogy” but was forced to drastically revise the story because of budgetary constraints (some of the excised ideas ended up on screen years later in Land of the Dead).

Perhaps the small cast and intimate story of Day are disappointing to those looking for a big zombie blow-out. I, on the other hand, think the desolate finale couldn’t have been more perfect for this undead apocalypse trilogy. Every event in the film seems all the more profound and significant when we understand that these characters may be all that’s left of humankind.


  1. Re-Animator


“You can’t be serious!” say Re-Animator fans. “Number four?”

Please understand, my fellow horror aficionados; 1985 is, pound for pound, the genre’s deepest year. I consider Stuart Gordon’s zombie classic to be one of the greatest of all horror films, but it was released alongside three other films I also count among the greatest horror films.

Wherever it lands on a list, this movie is a balls-to-the-wall classic that captures everything we love about good 80s horror: Gore, sardonic humor, comic-book visuals, memorable performances, beautiful scream queens, and iconic moments.


  1. Fright Night


Psycho II screenwriter Tom Holland’s directorial feature debut is what you call a crowd pleaser. Fright Night offers a charming mix of horror, humor, and memorable characters brought to life by a strong cast delivering spot-on performances (similar to Re-Animator in that way). I had the good fortune of seeing this one in a fantastic old barn theater with red velvet curtains, an ornate stucco ceiling, and a gigantic screen, the kind of experience from which great memories are forged.

At that point in the decade, the movie people had caught on that audiences were looking for make-up FX spectacles, which is why you have a vampire film with werewolves, giant demon bats, and meltdown sequences. It all looks very ‘80s now, but that’s part of the appeal.


  1. Lifeforce


Seriously, if they had released this film as Space Vampires instead of giving it the drab title Lifeforce, it would be a cult favorite today. The little details matter.

Whether he chose the shitty title or not, Tobe Hooper delivered his most eye-candy laden picture yet in terms of visual spectacle, horror FX, and full-frontal nudity. It relies too heavily on the light show elements, which become somewhat tedious after a while, and some of the last-minute story turns suggest the writers didn’t know how to end it. Not a masterpiece, but surely underappreciated in the horror canon.


  1. House

I confess now that I did not like this film the first time I saw it. The tone seemed goofy relative to the horror that unfolded. Thanks to subsequent viewings in recent years, however, I’ve come to realize I didn’t get what they were going for, and now I do.

Director Steve Miner’s possessed-house flick is a comic-book fantasy in the vein of Marvel’s AARGH!, a weird comedy-horror hybrid that mixed slapstick with irreverence. It works.


  1. Creature


On the surface, Creature is the most blatant of all Alien knock-offs, from the derivative beast itself to the ship damaged after landing on a dark and windy planet. This film also borrows a major plot point from Mario Bava’s Planet of the Vampires in which dead astronauts come back to life under the control of a malevolent, invisible force to menace the living.

Hey, if you’re going to steal, steal from the best. Although the climax is underwhelming (and ripped off from the 1951 version of The Thing, in the event you’re keeping score), what precedes it is creepy, gory, and fun.


  1. Phenomena


Dario Argento threw the kitchen sink in with this one. Chimps, mutants, maggot pits, bugmasters (a beastmaster who controls bugs?), and gory murders. I find it a bit disjointed and cluttered with unfinished concepts, but a so-so Argento film is still better than most things the genre can offer.


  1. Mr. Vampire


This hyperkinetic Chinese kung-fu vampire comedy was one of those “you gotta see it to believe it” films back in the day, which led to its popularity on the bootleg VHS market. Thanks to YouTube and the proliferation of foreign films on DVD and Blu-ray, today’s viewers have become inured to the lunacy of Hong Kong horror movies. But in the mid-80s, Mr. Vampire’s blistering fight scenes and hilariously over-the-top choreography were jaw dropping. It’s still a good time.


Honorable Mention


The Mutilator


The stalk-and-slash film had become a well-worn concept by the middle of the decade, and The Mutilator is no better or worse than most of its predecessors, story-wise. However, the gore FX by make-up artist Mark Shostrom are  on par with Tom Savini’s great work on The Burning and The Prowler from earlier in the slasher cycle. Sometimes that’s what it takes to elevate a so-so flick into the realm of the stand out.


A Nightmare on Elm Street 2: Freddy’s Revenge


If the last act of this film had been as good as the first two, it wouldn’t be down here in the honorable mention section. Unfortunately, the filmmakers forgot to pack the creativity and style when they went off to shoot the final 25 minutes worth of footage. There’s a lot of good stuff here, but overall it’s a missed opportunity.


Silver Bullet


This is the portion of our show when we talk about films we don’t like but everyone else does.

I seem to be missing the gene required for liking horror movies built around child characters. There’s just something too cute and cuddly about the whole affair, so I will leave my fellow horror fans to take pleasure from Silver Bullet while I watch something else.

You know, I almost put Friday the 13th: A New Beginning here, being that I’m a fan of the franchise, but it’s just not a very good movie. I got you, Silver Bulleters.

My Top 15 Horror Films of 1981

And thus we arrive at the most prolific year in the history of horror, the likes of which we shall never witness again. Let us pray…

52 titles appear on this page, which equates to a new horror film every week, and I’ve surely overlooked or forgotten more. What a glorious time it was to be a genre fan.

I tried really hard to limit this list to 10 films, but it simply wasn’t possible. If you find this abuse of power unconscionable, you may submit your official complaint to the Department of Listicles ($10 processing fee).

My Top 15 Horror Films of 1981

  1. The Evil Dead


If I absolutely, positively had to answer the question, What’s your favorite horror film?, I’d have to go with The Evil Dead. It’s not the best acted or most polished movie, but it is 85 minutes of pure, unpretentious, unrelenting horror, and Sam Raimi‘s directorial prowess is miles above and beyond the norm. To those who claim that splatter and terror are exclusive of each other, I say bullshit.


  1. The Howling


Werewolves were my favorite monster when I was a kid, but I never understood why the inevitably tragic hero viewed his lycanthropy as a curse. I wanted to be a werewolf. And so do the lycanthropes in The Howling, a movie that’s scary, funny, and totally outside the box. In my opinion, it’s the best werewolf film of them all.

Also, since my prior blog posts discussed the make-up FX artist as the “movie star” of 1980s horror: How about then-relative unknown Rob Bottin’s work in this film? It’s like he showed up to a high-school dance in a Lamborghini.


  1. An American Werewolf in London


You know it’s a deep draft when John Landis’s werewolf classic ends up at number 3 on a Top 10 list. As with The Howling, American Werewolf in London is both scary and funny and boasts legendary FX work, this time by Rick Baker. How much iconic horror imagery can come out of one film? A lot, it turns out.


  1. Galaxy of Terror


Considering its minuscule $700K budget, Galaxy of Terror may be the most ambitious film ever made. The producers could have set the whole show on a spaceship and then let a rubber monster pick off the crew one by one, and few would have complained. But instead we are given a mythology to contemplate, a host of monsters and other horrors, and a giant pyramid game in which humans are the playing pieces and the fate of the universe is at stake.

You can make fun of it for being “cheesy” if you like, but it’s a pretty bold take on Alien. Shit, Prometheus and Alien: Covenant rip this movie off, however unintentionally. That’s irony.


  1. Halloween II


This film has to be one of the most underappreciated sequels in horror. Halloween II is scary and intense, nearly equaling the original in that regard, yet with more of a 1980s-style body-count ethos. I love the conceit of setting the story on the same night as the original. A wise choice.


  1. House by the Cemetery


Some Lucio Fulci fans view House by the Cemetery as the weakest of his splatter epics, perhaps because it lacks the surreal horror set-pieces you get in the other films (e.g., the zombie-shark underwater fight in Zombie and the spider attack in The Beyond). I rather enjoy its simplicity, though. It’s a haunted house movie of sorts, and an eerie one.

And it’s not like Fulci scrimps on the gore. Some pretty savage kills occur in this flick.


  1. My Bloody Valentine


The slasher film is probably the cinematic sub-genre most reviled by critics. I say fuck ‘em. There are good and bad slasher films, and My Bloody Valentine is one of the good ones.

The small-town setting, the character drama, and the horror all feel authentic, and the filmmakers exploit the “valentine” imagery memorably. The unrated version boasts some truly grim kills as well, and the murderer, with his pick-ax and gas mask, is as striking a figure as any of the more well-known horror icons.


  1. Burial Ground


My god, this guy’s shirt.

Home video marketers tend to throw the word “sleazy” around to promote trashy horror films and gialli from the 70s and 80s, as if we genre fans all wear trench coats in theaters and subscribe to Barely Legal.

I’m saying, save the word “sleazy” for when you really mean it, like when you’re talking about Andrea Bianchi’s Burial Ground. Everything from the ridiculous zombies to the casting of a porn actor as one of the male leads to the nauseating oedipal subplot, it’s quite a piece of trash. And of course there’s that scene. Just try to unsee it.


  1. Nightmare


If we’re going to talk sleazy films, we might as well get ‘em out of the way all at once.

Nightmare, like Maniac and Don’t Go in the House from a year earlier, is a character-study slasher. That is, we are aware of the killer’s identity from the beginning, and instead of getting to know a bunch of attractive young people and then watching them get picked off in turn, we follow the killer around as he commits his crimes.

The body count is comparatively low in this flick, but the kills are extremely nasty and bloody. And if you thought it impossible for an actor to out-repulse Joe Spinell from Maniac, you haven’t seen Baird Stafford cry, scream, foam at the mouth, and turn into a sweaty, quivering blob when sexually aroused.


  1. Ghost Story


Whew. It’s time for a little Hollywood glitz to wash away the filth.

Ghost Story, loosely based on the Peter Straub novel, tells of four elderly men with an old, dark secret that’s finally catching up to them. The film offers an air of wintery doom, great make-up FX by The Exorcist veteran Dick Smith, and a pitch-perfect performance from Alice Krige as the vengeful specter.

There are some unexplained character motivations and a pointless subplot about a menacing hoodlum that goes unresolved, but it lives up to its promise as an eerily atmospheric horror.


  1. Scanners


David Cronenberg’s tale of a mind war between telekinetic rivals is bursting with ideas and revels in its ambiguity. And it features one of the best-known FX set pieces in horror history, when Michael Ironside blows up some guy’s head by thinking at him.

Although Scanners is most certainly more intelligent than most of the films above it here, I have it at 11 because of some momentum-killing pacing problems and a woefully miscast lead actor.


  1. Friday the 13th Part 2


In a sub-genre often mocked for lack of originality, Friday the 13th Part 2 is so derivative of its forerunner that one could call it a remake. A more polished and less scary remake.

That said, most of the characters are likable, which makes their deaths more impactful for the viewer, and the overall proceedings are fun and fast paced. And we all know Amy Steel is, with good reason, the poster child for “The Final Girl.”


  1. Dead and Buried


Somehow this film remains relatively obscure, which is a shame because it’s eerie throughout and quite chilling at times. The story eventually unravels thanks to an overload of plot twists that stop making sense after a while. Perhaps it’s best to enjoy the ride and avoid thinking about what it all means. Arguably the scariest film on this list.


  1. The Prowler


1981 offers a cornucopia of slasher films to explore, from the classic My Bloody Valentine to the forgettable Graduation Day to the flat-out bizarre Student Bodies. I wouldn’t say The Prowler is exceptional (compared to some of the others on this list, it drags in spots), but it has one sure thing going for it: Tom Savini.

Savini did fine FX work in Maniac and The Burning, but I believe the kills in this film are his best achievement in the slasher realm. Most happen on camera with the actors in motion, and they’re quite harrowing. The knife-through-the-top-of-the-head scene, when the victim’s eyes go white, is my favorite kill shot in any slasher film. Bravissimo, Mr. Savini.


  1. Cannibal Ferox

I knew Umberto Lenzi would show up on one of my lists eventually, even if I had to cheat and go to 15 entries.

This gorier knock-off of Cannibal Holocaust is the cinematic equivalent of Burger King: It’s bad for you and leaves you feeling sick, but when that hankering hits, damn you enjoy it. Those of us who grew up in the video nasty VHS era—when this movie was called Make ‘em Die Slowly—know well the allure of films so offensive they dare you to rent them. In that context, you won’t find a better marketing tagline than “Banned in 31 countries!”


Honorable mention


The Beyond


Shockingly to some, this film is my least favorite of Fulci’s “big four” zombie classics. But it’s still a few steps ahead of most other horror films. Had it been released a year or two later, it would easily have cracked my top 10.


The Burning


It tells you what kind of year it was when one of the better slasher films of the decade only earns an honorable mention.


The Funhouse


Tobe Hooper once again proves his directorial chops with this stylish and well-shot slasher that seems more profound than it is thanks to his skillful filmmaking. Gore was never Hooper’s thing, but this one might have moved into the top 15 had the kills been more memorable.


Happy Birthday to Me


That’s it, 1981 is officially the Year of the Slasher. This entry is a solid horror flick with a “you gotta be kidding” twist that’s audacious enough to be cool.




Here are more horror films released in 1981, many of which are excellent. You could make a strong Top 10 list from these “leftovers” alone:

Absurd · Black Cat · Blood Beach · Bloody Birthday · Bloody Moon · The Boogens · Dark Night of the Scarecrow · Dawn of the Mummy · The Deadly Blessing · Don’t Go in the Woods · Don’t Go Near the Park · Evilspeak · Fear No Evil · Final Exam · Full Moon High · Funeral Home · Graduation Day · The Hand · Hell Night · Inseminoid · Just Before Dawn · The Loch Ness Horror · The Nesting · Night of the Werewolf · Omen III: The Final Conflict · Piranha 2: The Spawning · The Pit · Porno Holocaust · Possession · Saturday the 14th · Student Bodies · Wolfen · Zombie Lake

My Top 10 Horror Films of 1978

History results from timing and convergence. The late 1970s saw the rise of the horror-auteur director just as Star Wars was causing a paradigm shift in the movie business. The fuse had already been lit on the upcoming home-video revolution. Italian filmmakers would soon find a new, global audience, and independent movies were coming back into prominence.

Combine those elements, and you get a 10-year span, 1978-87, unmatched in horror history both in terms of total output and in an incomparable run of major classics. From Halloween to Hellraiser, from Jason to Freddy, the conventions of modern horror were defined in—and continue to radiate from—this era.

That doesn’t mean 1978 represents a break in continuity from the past. Hollywood was still knocking out movies inspired by the then-recent success of The Exorcist, The Omen, and Carrie, such as Patrick and The Manitou. Even the director of Carrie, Brian De Palma, copied himself with The Fury, another movie about telekinetic teens.

But it wasn’t Hollywood self-imitating that would launch the new wave of horror. The two films at the top of today’s list played a slightly bigger part.

My 10 Ten Horror Films of 1978

  1. Dawn of the Dead


Is there another horror film more effective at making you feel so present as the events unfold? From the entropic opening sequence, to the SWAT attack on the apartment building, to the siege at the shopping mall, George A. Romero’s masterpiece sinks its rotten teeth in and drags you into the action. This movie  catapulted Tom Savini into the realm of make-up FX stars, and with good reason.

Dawn is arguably the best zombie film ever made. For whatever record anyone is keeping, I prefer co-producer Dario Argento’s European edit, but both it and the U.S. versions are equally brilliant.


  1. Halloween


Choosing between Dawn of the Dead and this film to top today’s list was like choosing a favorite child. Halloween would have come in first place in nearly every other entry in this blog series.

With his third feature, John Carpenter put horror in a place it had rarely ventured: the suburbs. If the genre had scared you out of the ocean, the woods, the desert, the city, and the mountains, at least you felt safe in your suburban neighborhood. That is, until the night he came home.


  1. Invasion of the Body Snatchers

Invasion of the Body Snatchers may just be the best remake in horror history, aside from The Thing and David Cronenberg’s The Fly perhaps. It’s also likely the scariest PG-rated film you’ll ever see. Every scene is that much more unnerving than the one before, until the movie reaches its devastatingly bleak climax (which, of course, has been ruined by internet memes. Damn you, internet).

A masterpiece of paranoia that can be read many ways.


  1. Alucarda

A histrionic Mexican nunsploitation flick featuring a rather spirited performance by Tina Romero in the title role. Trashy, gory, erotic, and overwrought … all the qualities you want in a film about Satan-possessed nuns.


  1. Grapes of Death


As this blog series leaned heavily on Italian, Spanish, American, and British films to round out its top-10 lists, our French pal Jean Rollin was hovering on the periphery. In 1978, while taking a break from vampire flicks (and softcore porn), Rollin delivered this most excellent and underappreciated zombie film.

Borrowing a few ideas from Living Dead at the Manchester Morgue but putting his own spin on them, Rollin tells the story of a woman (Marie-Georges Pascal) trapped in a nearly abandoned village by a horde of undead flesh eaters, who were rendered so by pesticide-contaminated wine. If you enjoy the vibe of European horror of the 1970s and haven’t seen this one yet, put it on your watchlist right away.


  1. Piranha


Roger Corman gets it.

While other producers and studios try to mimic hit films by making inferior versions of the same thing (e.g., Orca imitating Jaws), Corman made films that looked superficially like knock-offs but in actuality embraced their uniqueness. Starcrash, for example, may have been a Star Wars cash-in, but it maintains a quirky look and feel all its own. You could say the same about Piranha relative to its inspiration, Jaws.

Directed by Joe Dante, who went on to make The Howling and Gremlins, Piranha is a silly good time as shallow as the water the nasty little bastards swim in, and it’s a hell of a lot more entertaining than The Deep.


  1. Magic


If the word “creepy” hadn’t existed in 1978, they would have invented it for this movie. Starring Anthony Hopkins and a ventriloquist’s dummy, the story concerns a … ah, I don’t really need to keep going, do I? That was enough to certify creepiness right there.


  1. Damien: Omen II


This sequel to the 1976 hit is so polished and tautly suspenseful that you kinda don’t notice it’s little more than a rehash of the previous film and does absolutely nothing to move the story forward. There’s no arc, as we end up in exactly the same place we were at the end of part one. You get a higher body count this time, though.


  1. Blue Sunshine


Underappreciated director Jeff Lieberman’s offbeat thriller about recreational drugs turning people into murderers serves as a sort-of bridge between Romero’s The Crazies and Cronenberg’s Scanners, both of which explore the unexpected side effects of chemicals on the human mind and behavior.

The film is missing (in my opinion) some of the visceral qualities of those classics, which leaves it somewhat unsatisfying. Still, Lieberman’s attempt at literate, provocative horror on a low budget deserves recognition.


  1. Toolbox Murders


When you say something is “half” this and “half” that, you usually mean the two haves are blended together. Half-vanilla and half-chocolate swirl, for example. With Toolbox Murders, we get half a splatter movie and half a psychodrama spliced together. Meaning, the first half is about gory murders, and the second half is about getting into the killer’s head.

The mix of gloomy character study and graphic violence prefigures the approach taken with Maniac, Don’t Go in the House, Christmas Evil, and Nightmare a few years later.


Honorable mention


I Spit on Your Grave


Some will wonder how this film didn’t crack my top 10. While I Spit on Your Grave is hardly the first rape/revenge film to shock audiences, it‘s surely the most notorious. Camille Keaton brings a lot of screen presence and acting skill, making the gang-rape sequence all the more grueling to watch.

However, beyond Keaton’s performance, I don’t think it’s especially well done. The pacing is flat, and the revenge portion is unsatisfying. I venture to say that if this film had gone out under the original title of ‘Day of the Woman’ sans the lurid ad campaign, it would not garner as much attention.


Dracula’s Dog


Also known as Zoltan, Hound of Dracula, this is a movie so absurd but played so straight that I can’t determine if it’s crap or brilliant satire. If it’s satire, what are they satirizing? If it’s crap, why is it so cool to see a vampire dog rising from his coffin?


My Top 6 Horror Films of 1968

I consider 1968-1988 to be the Golden Age of Horror.

There were certainly concentrated bursts of artistic brilliance and innovation before that: the pre-code classics of the early 1930s, Val Lewton’s horror-noir masterpieces of the early 1940s, and the taboo-shattering period of 1957-60 that began with Hammer’s first Technicolor terrors and ended with “Mrs.” Bates not swatting that fly.

In viewing 1968 as the start of the golden age, I’m not overlooking Mario Bava’s edgy, sometimes kinky gothic horrors, H.G. Lewis’s invention of the splatter genre, or the significance of early ‘60s classics like The Birds and Eyes Without a Face. I am saying, though, that these films had to stand out against a wash of movies that seem rather dated today.

Hammer’s The Curse of Frankenstein shared 1957 with a barrage of now archaic-looking giant-monster flicks like The Deadly Mantis and The Giant Claw, for example. Bava competed against Roger Corman’s assembly line of Poe-themed costume dramas, which we can admit are fun and nostalgic but hardly pushed the art of film forward.

Then, in 1968, horror cinema turned postmodern. The Vietnam War, the bloody civil rights struggle, nuclear proliferation, and a series of history-altering political assassinations made movies about haunted castles appear silly. In short order, graphic violence and nudity became commonplace on theater screens, and films were suddenly imbued with social commentary.

In the ensuing twenty years, the concept of the horror icon was born and spawned franchises, and directors and make-up FX artists became the stars of the genre. By 1981, it seemed as if at least one new horror film hit movie screens per week. The flood of theatrical releases reached its crest in the mid 80s and then began the inevitable run off. By 1989 and into the early ’90s, most titles ended with a Roman numeral and had largely faded into a blur of forgettable direct-to-video-store shelf filler.

Legendary horror films have been released throughout cinematic history, from Nosferatu in 1922 to The Ring in 2002. But there’s something about the 1968-88 era that many horror film fanatics, including me, hold in especially high regard.

Going forward, I make no attempt to mention every film you might have heard of, nor do I claim my choices are “the best.” They are merely my favorites. We begin:

My Top 6 Horror Films of 1968

  1. Night of the Living Dead

George A. Romero’s debut feature is a nihilistic masterpiece that eviscerates government authority and white cultural hegemony even more savagely than the featured undead do their on-screen victims. This movie both wrote the zombie rule book and created the blueprint for low-budget, drive-in horror.

  1. Rosemary’s Baby

In his harrowing study of paranoia and isolation (which may be even more relevant today), Roman Polanski takes us from wanting to save Rosemary, to thinking she’s loony, to having no idea what’s real and what isn’t. Sounds a bit like everyday life.

  1. Goke, Body Snatcher from Hell

Placing the adjective “bizarre” in front of the phrase “Japanese horror film” has been a superfluous act from the get go. As is typical of East Asian genre movies, Goke is visually captivating while making no attempt to depict anything naturalistically. Director Hajime Sato is every bit as effective as Romero at generating paranoia within a group of isolated survivors (this time of a plane crash in the mountains).

  1. The Living Skeleton

When Japanese horror isn’t being bizarre, it’s being eerie, and The Living Skeleton is among the eeriest. Is there a better film about a ghost ship? Well, Matango is pretty great (and bizarre and eerie).

  1. Targets

How wonderful is it that Boris Karloff, after decades of acting in generally artless B-movies, got to deliver one of his greatest performances at the end of his life? Playing an old, forgotten horror actor, Karloff comes face to face with a disaffected young killer bent on committing a mass shooting. It’s like director Peter Bogdanovich knew he was documenting a paradigm shift in the genre.

  1. The Devil Rides Out

I’m partial to movies about witchcraft and devil worship. Add Christopher Lee and stir until scary.


Honorable mention (a.k.a. I must be an idiot for not choosing these movies instead)

  1. Witchfinder General

This film is one of the most talked about “subversive” horror films ever made, and its director, Michael Reeves, had all the tragic qualities we like in a tortured (pun intended) artist. Honestly, though, I find it a bit boring. Hey, it’s my list!

  1. Dracula has Risen from the Grave

The second sequel to Horror of Dracula somehow escapes the rambling/sloppy storytelling of the other films in the series, and the character dynamics are legitimately interesting. However, for a film that cast a Roger Daltry lookalike for the lead and tried super hard to make the adults look like squares, its “brush your teeth and eat your vegetables” message at the end seems like a bait and switch.

  1. Brides of Blood

I almost bumped The Devil Rides Out from my top 5 list in favor this utterly trashy Filipino monster flick, which I adore on many levels. Better judgement won out (barely).

Next time, I name my favs of 1969 (duh)!